Ain't Nobody Business Traduzione
Jun 27, 2015 Ain't Nobody's Business If You Do: The Absurdity of Consensual Crimes in a Free Society Peter McWilliams on Amazon.com.FREE. shipping on qualifying offers. A refresher course on rights and personal freedom. What is your position on prostitution, pornography. Various versions of this title have been sung by: Ella Fitzgerald, Ernie Ford, Jimmy Donley, Leon Redbone, and Taj Mahal. A book, Ain't Nobody's Business If You Do: The Absurdity of Consensual Crimes in Our Free Country by Peter McWilliams. AIN’T NOBODY’S BUSINESS, Written by Irving Taylor I.
'Tain't Nobody's Biz-ness if I Do'by Anna Meyers with the'That Da Da Strain'Released1922 ( 1922)FormatRecordedNew York City, October 19, 1922Length3: 08,' Ain't Nobody's Business' (originally ' Tain't Nobody's Biz-ness if I Do') is a 1920s song that became one of the first. It was published in 1922. The song features a lyrical theme of and a –style musical arrangement. It was first recorded, as 'Tain't Nobody's Biz-ness if I Do', in 1922 by Anna Meyers, backed by the.Recordings by other singers, including, and soon followed. In 1947, the song was revived by the singer as 'Ain't Nobody's Business'. It was the best-selling of 1949 and inspired numerous adaptations of the song. In 2011, Witherspoon's rendition was inducted into the Hall of Fame as a 'Classic of Blues Recording'.
'Ain't Nobody' is a song by American funk band Rufus and American singer Chaka Khan. It was released on November 4, 1983, as a bonus track for their live album Stompin' at the Savoy (1983). 'Ain't Nobody' quickly gathered popularity, and reached number one on the US Billboard R&B chart and number 22 on the US Billboard Hot 100.
There ain't nothin' I can do nor nothin' I can say, that folks don't criticize meBut I'm gonna do just as I want to anyway, I don't care if they all despise meThe remaining verses are eight bars in length, with the first four describing a situation, such as 'If I go to church on Sunday, then cabaret on Monday', and the last four concluding with the refrain 'Tain't nobody's biz-ness if I do'. The song's eight-bar chord scheme was a model for subsequent 'bluesy' Tin Pan Alley songs and R&B ballads in an.The music and lyrics are usually credited to two pianists – Porter Grainger, who had been 's accompanist from 1924 to 1928, and Everett Robbins, who had his own bands and worked briefly with., who played the piano on Bessie Smith's recording, is sometimes listed as a co-author of the song., the performing rights organization, lists Grainger, Williams, Witherspoon,. The original lyrics were copyrighted in 1922 and are now in the public domain. Recordings and releases. I'd rather my man would hit me, than to jump right up and quit me.I swear I won't call no copper, if I'm beat up by my papaTain't nobody's business if I doIn 1928, a rendition was recorded by Memphis, Tennessee, singer-guitarist.
His finger-style acoustic guitar version uses a simple I-IV-V chord progression and different lyrics, including the refrain 'It ain't nobody's business but mine'.In the post–World War II blues era, the jump blues singer Jimmy Witherspoon revived the song as 'Ain't Nobody's Business'. He performed it in the style with understated backing by piano, guitar, bass, drums, and a three-piece horn section. The song was recorded in Los Angeles on November 15, 1947, and released by Supreme Records in September 1948. It entered the record chart on March 5, 1949, and reached number one.
Ain't Nobody Business
Witherspoon's song was the best-selling R&B record of 1949. Recognition and influence In 2011, Witherspoon's 'Ain't Nobody's Business' was inducted into the Blues Foundation Hall of Fame. According to the Foundation, 'its message continued to resonate, as borne out by the remarkable success of Witherspoon's two-part rendition, which remained on the Billboard 'race records' charts for 34 weeks. It was rated No. 3 in all-time chart longevity in 's Top R&B Singles 1942–1988.' Witherspoon's rendition also inspired numerous artists to record adaptations of the song. Recorded a version for his Lone Wolf album.
Released as a single in 1990, it peaked at number 15 on the chart. References.
As usual a good guitar players lesson. Probably over most peoples heads and a bit above mine, but not.
A true difference in band playing and music as you covered. I use power cords most of the time and have studied Jazz, along with other modes.They that teach Jazz do the same as you have done, Blame it on the other guy’s cause they say its OK. Your band simple form playing is truly close to how it has been recorded. I put Freddie King on my set up, play along, ahead or behind him, Love his Texas House ripen string bend-en string style. Shire would like to no what stomp boxes he uses and amp. Absolutely brilliant lesson! What a great song and lesson.
So Griff, how about a full course on Blues Classics? The BGU Blues Fakebook.I would definitely pay for that. And if it cost a bit more due to royalty/copyright costs I would happily pay it.So often my blues playing ends up sound inglike just another 12 bar shuffle but I know there is so much more in there to make it sound great. Yes I guess most of what we need is sprinkled through all the various (great) courses you offer, most of which I have bought, but applying them to the 20 ‘must know’ blues tunes is something that needs guidance from the master.Please consider this, it will be the thing that draws together all the great teachings in your courses. Kind of like your jam in a box courses but structured like this lesson. Harmony, groove, options, lead, options. Just perfect.
I am off to learn this song right now!. For those who see this as veering away from standard blues, I get it because the harmonic complexity is different, and harder to follow because of the implied major/minor key changes. As Griff pointed out, it’s using a few basic jazz concepts of sometimes changing the 2, 3 and 6th minor chords to Dom 7 (in C, change Dm to D7, Em to E7, Am to A7), and adding some color chords for transitions. This and similar variations are a staple of many acoustic country blues songs, and even many folk and pop tunes. Arlo Guthrie’s Alice’s Restaurant is based on similar concepts, as well as dozens of traditional acoustic blues that use C E7 A7 D7 G7 progressions.Once your ear “gets it”, it’s cool stuff.
But playing a lead line against it is not for the faint of heart – it’s more major than minor, and sticking with root pentatonic will only sound “half” right on the changes. It’s hard to absorb in one video for sure.